Dame Dr Evelyn Glennie
Solo percussionist and innovative musician who gives more than 100 performances a year worldwide. She has worked with some of the greatest conductors, orchestras and artists and has commissioned hundreds of new works for solo percussion from prominent composers and composes and records music for film and television. Read more
Evelyn is the first person in musical history to successfully create and sustain a full-time career as a solo percussionist. As one of the most eclectic and innovative musicians on the scene today she is constantly redefining the goals and expectations of percussion, and creating performances of such vitality that they almost constitute a new type of performance.
Evelyn gives more than 100 performances a year worldwide, performing with the greatest conductors, orchestras, and artists. For the first ten years of her career virtually every performance she gave was in some way a first. Her diversity of collaborations have included performances with Nana Vasconcelos, Kodo, Bela Fleck, Bjork, Bobby McFerrin, Sting, Emmanuel Ax, Kings Singers, Mormon Tabernacle Choir and Fred Frith.
Evelyn has commissioned 160 new works for solo percussion from many of the world's most eminent composers. Evelyn also composes and records music for film and television. Her first high quality drama produced a score so original she was nominated for a British Academy of Film and Television Arts awards (BAFTA's); the UK equivalent of the Oscars.
Out of the 26 solo recordings made so far, Evelyn's first CD, Bartok's Sonata for two Pianos and Percussion won her a Grammy in 1988. A further two Grammy nominations followed, one of which she won for a collaboration with Bela Fleck. Evelyn's twelfth solo CD, Shadow Behind the Iron Sun, was based on a radical improvisational concept and has once again questioned people's expectations.
The Evelyn Glennie brand is constantly exploring other areas of creativity; from writing a best selling autobiography, Good Vibrations, to collaborating with the renowned film director Thomas Riedelsheimer on the film Touch the Sound, to presenting two series of her own television programmes (Soundbites) for the BBC, to regularly appearing on television across the world, including The David Letterman Show (USA), Sesame Street (USA), The South Bank Show (UK), presenting and performing on Songs of Praise (UK), Commonwealth Games Festival Concert, This is Your Life (UK), 60 minutes (USA), PBS Profile (USA) and many more.
Evelyn's activities also include lobbying the Government on political issues. Her consortium with Sir James Galway, Julian Lloyd Webber and the late Michael Caman successfully led to the Government providing �332. million towards music education. Other aspects include Evelyn Glennie Jewellery, which is a range of Jewellery designed in conjunction with Ortak and is based on her influences as a solo percussionist. Evelyn is also an international motivational speaker to many diverse corporate companies and events. Evelyn also performs with orchestras on the Great Highland Bagpipes.
Evelyn's teaching and masterclass activities are much in demand world wide, which allows her to explore the art of teaching and the world of sound therapy as a means of communication.
In 1993 Evelyn was awarded the OBE (Officer of the British Empire). This was extended in 2007 to 'Dame Commander' for her services to music, and to date has received 86 international awards to date.
From Dame Evelyn Glennie's official biography at www.evelyn.co.uk
Prof Dr Ian Tracey
Organist of Liverpool Anglican Cathedral, City Organist of Liverpool, Chorusmaster to the Royal Liverpool Philharmonic Society and Organist to Liverpool John Moores University, where he holds his Professorial Chair. Read more
Professor Dr Ian Tracey has been involved in church music all his life, having started as a chorister in the largest anglican cathedral in the world, at Liverpool.
He learned the basis of his craft there under Dr Noel Rawsthorne and in 1982 succeeded him as only the third organist since the mighty instrument was built in the 1920s.
Apart from a brief foray to Trinity College in London, and a scholarship to Paris for study under Langlais and Isoir, Ian affirms that he is delighted to have been able to spend most of his life "in my beloved Liverpool home".
His working week is spent mainly in the cathedral, arranging, rehearsing, conducting and playing for its continual round of services, concerts and recitals.
Ian is also City Organist, with a base at the historic console of St George's Hall, Chorusmaster to the Royal Liverpool Philharmonic Society and Organist to Liverpool John Moores University, where he holds his Professorial Chair. Added to this are an extensive calendar of recitals and recording engagements.
Elizabeth Stratford was one of the first girl choristers in the country singing at St Anne's Cathedral, Leeds, under the direction of Joseph Cullen. Read more
She went on to read Music at the University of Huddersfield and began learning the organ whilst acting Assistant Director of Music at Christ Church, New Mill, Huddersfield, singing in the university chamber choir and with St Peter's Singers in Leeds.
After graduating with honours she undertook a Master of Arts in Liturgy and Music at the University of Leeds, specializing in organ performance, choir training and composition. Her tutors included Dr Gordon Stewart, Dr Simon Lindley and Dr Philip Wilby. During this time she was awarded a number of scholarships including the Duchess of Leeds Assumption Fund Millennium Scholarship.
Elizabeth was appointed Organist and Director of Music at St Paul's Church, Shipley in February 2000 and held positions as singing tutor at a number of different centres of education whilst training at the Royal Northern College of Music with Henry Herford for a year following her MA studies.
At the age of 23, Elizabeth was appointed Organist and Master of the Choristers at Arundel Cathedral, West Sussex. As such she was the first woman to hold this level of position in the UK and was the youngest Cathedral organist in Britain appointed to date. In addition to creating places for and recruiting 20 choristers to the Cathedral choir, between 2004 and 2006 she oversaw the rebuilding of the Cathedral's historic Hill organ by David Wells Organ Builders. Since then the choir have undertaken tours, recordings and television work which recently notably included BBC One's live Midnight Mass on Christmas Eve in 2014 and a significant contribution to BBC Children in Need where she assembled and trained 100 children from the local area to sing live during the 7 hour broadcast. Elizabeth pursues a busy teaching and solo career alongside her Cathedral commitments.
She holds awards from the ABRSM and the Guild of Church Musicians (amongst others) and is currently studying for a PhD in liturgy and music.
Dr Carol Williams
San Diego Civic Organist, Artistic Director of the Spreckels Organ Society and musician who has performed with leading orchestras. She has featured in a national awareness video "Pulling out all the stops" to promote the organ as an instrument. Read more
Carol spent five years at the Royal Academy of Music, there specialized in organ performing as a student of David Sanger and obtained the Academy's prestigious Recital Diploma together with an LRAM (organ) and an LRAM (piano). Williams was awarded all the major prizes for organ performing and, during her studies, becoming a Fellow of the Royal College of Organists and a Fellow of Trinity College London plus an Associate of the Royal College of Music.
Carol has also visited Paris for study with Daniel Roth, the Organist at the Church of St. Sulpice where the famous Charles-Marie Widor was organist for sixty-three years. Moving to the USA, Carol undertook postgraduate study at Yale University under the direction of Professor Thomas Murray where Williams was appointed University Chapel Organist and was awarded an Artist Diploma together with the Charles Ives prize for outstanding achievement.
Then to New York where Carol became the Associate Organist at the Cathedral of the Incarnation in Long Island's Garden City and undertook Doctoral study under Professor McNeil Robinson at the Manhattan School of Music where Williams received the Helen Cohn award for her D.M.A. degree.
In October 2001, Dr. Williams was appointed San Diego Civic Organist and Artistic Director of the Spreckels Organ Society and now devotes all her time to concerts. Other venues at which Carol has performed include: St. Sulpice, Paris; Westminster Abbey; St. Paul's Cathedral; King's College, Cambridge; Queen's College, Oxford; Blenheim Palace; Roskilde Cathedral, Denmark; Woolsey Hall, Yale University; Memorial Chapel, Harvard University; St. Patrick's, New York; Washington National Cathedral; St. Ignatius Loyola, New York; Riverside Church, New York. She has also given concerts in Sweden, Finland, Estonia, Holland, Germany and Singapore.
En route, Carol has been elected an Associate of the Royal Academy of Music (ARAM) in recognition of her contribution to music. A regular broadcaster in the UK and in America, Carol has been the guest performer with a number of leading orchestras including the BBC Concert Orchestra and, more recently, a concert with the Beijing Symphony Orchestra when she performed the inaugural recitals on a newly-installed Austin organ in Beijing's Forbidden City Concert Hall. Carol has been interviewed "live" on many radio programs, in which she has highlighted her profound love of the King of Instruments, and she is featured in the national-awareness video "Pulling out all the Stops" when she was filmed in concert at St. Thomas' Church in New York's Fifth Avenue. She was also privileged to take part in the Virgil Fox Memorial Concert held in the fall of 2000 at New York's Riverside Church and a recording of the memorable event has been released as a double-CD by Gothic Records.
Distinguished cathedral organist and musician who has performed for State services, broadcasted from Wells and St Paul's cathedrals, and has played recitals in more than nine European countries. Malcolm is also a prominent composer, choir trainer and teacher of organ and composition. Read more
Malcolm Archer is Director of Chapel Music at Winchester College, where he trains and conducts the Quiristers and Chapel Choir and teaches organ and composition in the College.
He has enjoyed a distinguished career in cathedral music, which has taken him to posts at Norwich, Bristol, Wells Cathedrals and then Director of Music at St. Paul's Cathedral in London. During his time there he directed the choir for several State services, including the Tsunami Memorial Service, the London Bombings Service and the 80th Birthday Service for HM The Queen, for which he was invited by Buckingham Palace to compose a special anthem, performed live on BBC1.
His many broadcasts and recordings from Wells and St. Paul's have received critical acclaim, and his CD of Christmas music from St. Paul's was voted Editor's number one choice in The Daily Telegraph.
Malcolm is much in demand as a choir trainer and choral and orchestral conductor, and he has directed concerts, workshops and courses in various parts of the globe, as well as working with several leading orchestras. This year he was invited to direct the Jean Langais Festival, and in January he travels to Capetown to direct there.
As an organ recitalist he has played in nine European countries, the USA and Canada, and his CD's include repertoire as diverse as J.S. Bach and Olivier Messiaen, as well as his own music.
As a composer, Malcolm receives regular commissions from both sides of the Atlantic, and he has many published works. Recently he has composed works for the Southern Cathedrals Festival, St. Paul's Cathedral and the Festival of the Sons of the Clergy. His works include many pieces for organ, choral works and orchestra compositions.
He has been an adjudicator for the BBC Radio 2 Young Chorister of the year competition, and for four years was a judge for the BBC Songs of Praise School Choirs competition, including chairing the judging panel for two of those competitions. He is also a frequent contributor to that programme as both interviewee and musical arranger.
Malcolm has served as council member of the Royal College of Organists, and he is a member of the council of Salisbury Cathedral, and of the Guild of Church Musicians, from whom he was recently awarded the Fellowship for his services to church music over many years.
A theatre, silent films and concert organist, Donald has a long association with the Odeon, Leicester Square and has performed all over the world. He has performed for BBC Radios 2,3 and 4 and the World Service, has been featured on many television programmes and has played for numerous Royal Film Performances. Read more
Donald MacKenzie was born in 1970 in Ayrshire (Scotland), and after learning to play the piano and classical organ with renowned Scottish organist Gordon Frier, he received his first engagement in 1988 as the resident organist to the Glasgow Garden Festival. In 1991 Donald was the winner of the Senior Young Theatre Organist of the Year in the A.T.O.S. International Competition and this won him a trip to San Francisco to play at their Convention.
In July 1992 Donald began his long association with the Odeon Leicester Square Compton organ, by playing it for a number of events including a preview of 'Beauty and the Beast' and 'Chaplin'. In November 1993 he was engaged to play the organ for 5 weeks before each performance of the film, 'Aladdin'. He was then appointed House Organist and has appeared regularly at film premieres, special events and organ concerts. He has broadcast from the Odeon on BBC Radios 2, 3, 4 and the World Service. He has been featured on a number of television programmes and Donald has played for numerous Royal Film Performances, including four in the presence of Her Majesty the Queen.
Donald is one of the regularly featured artists for the Bournemouth Pavilion Compton Organ Concert Series and a featured artist during the past three years at the Wolverhampton International Organ Festival. 2006 has also marked his third concert at the Albert Hall Nottingham. In 2005 and 2006 Donald gave concerts at the International Johann Strauss Festival held in Bucharest. Both his concerts from the famous Atheneum Philharmonic Concert Hall, were televised. In 2005 Donald was privileged to be asked to open the newly installed Compton organ at Movieland in Newtonards near Belfast. In July 2006 Donald made his debut at the world famous Spreckels Organ housed in the magnificent surroundings of Balboa Park in San Diego.
When he is not playing for concerts Donald specialises in the accompaniment of Silent Films - he accompanied his first film when he was 14 for a special evening screening at Paisley Town Hall. He has now more than twenty feature films 'under his fingers' including the major classics of the silent screen - The Phantom of the Opera, Dr. Jeckyl and Mr. Hyde, King of Kings, Carmen, The Black Pirate, Metropolis - as well as many different types of short silent films. His now renowned accompaniments have led to numerous bookings throughout the UK (including the Victoria Hall Hanley, Bournemouth Pavilion, in at Wolverhampton City Hall and the Lighthouse Media Centre, in London at the Odeon Leicester Square, Alexandra Palace and St Martin in the Fields, Somerton Arts Festival, in Tywyn at the Neu Pendre Hall), Ireland (in Belfast at St Annes Cathedral and Clonard Monastery), Germany (Weikersheim), USA (Boston University, Rivieria Theatre in Tonawanda), Holland (Scheidam Theatre) and most recently Poland. One of his most treasured memories was playing for the film 'Nosferatu' at the Usher Hall Edinburgh in October 2005 to a very enthusiastic full house. In December 2005 Donald appeared at the Odeon on an ITV programme, demonstrating the art of silent film accompaniment.
His overseas concert appearances have included - in Poland at the Bielsko Biala Bach Festival, in Philadephia (USA) at the Wanamaker Store and Girard College, in Holland for the Nederlands Orgel Federation and several times in Germany playing the Moller organ in the music hall of the world famous organ building firm of August Laukhuff. At this venue he has also played for silent film evenings as part of the Hohenloher Cultural Summer Festival.
Donald is a Bachelor of Music, graduating from the University of London. He also has an interest in Steam Trains, Tram Cars, and enjoys going to orchestral concerts and the opera.
Cathedral Organist who studied under Dame Gillian Wier and Flor Peeters. He has been a member of the Council of the Royal College of Organists and a long-serving patron of the NMSM. Read more
Peter Wright was born in Hertfordshire. He was educated at Highgate School and then spent two years as Organ Exhibitioner at the Royal College of Music, studying with Richard Popplewell (Organ) and Angus Morrison (Piano) and gaining various prizes and diplomas. In 1973 he went to Emmanuel College, Cambridge, as Organ Scholar, where he continued his organ studies with Dame Gillian Weir and with Flor Peeters in Belgium.
Following this Peter Wright became Sub-Organist at Guildford Cathedral and, in March 1989, succeeded Harry Bramma as Organist and Director of Music at Southwark Cathedral. Under his direction the Choir has recorded five CDs, undertaken three tours to the USA and several to the continent and broadcast regularly on television and radio, including recording the signature tune for Mr Bean for Thames Television. In 2001 it sang at the Three Choirs Concert of the St Albans International Organ Festival, and in August 2002 the choristers (both the Boys' and Girls' choirs) participated in a performance of Bach's St Matthew Passion with Trevor Pinnock at the Proms.
Peter Wright is much in demand as an organ recitalist and choral conductor, both here and abroad, and enjoys performing a wide and varied repertoire. He has recorded the first CD of the restored Lewis organ at Southwark for PRIORY which includes the complete published works of the French organist and composer, Augustin Barie. He was principal conductor of the Guildford Chamber Choir from 1984-1994, and of the Surrey Festival Choir from 1987-2001, and was for several years conductor at the annual Edington Festival. He has travelled widely in Europe and elsewhere as conductor and recitalist, including Japan, South Africa, USA, Bermuda, Australia and New Zealand. In 2000 he performed the complete organ works of J S Bach as part of the Monday lunchtime series of recitals at Southwark, and has recently given recitals in Paris at Notre-Dame and La Trinite.
In April 2000 he was awarded an Honorary Fellowship of the Guild of Church Musicians in recognition of his work at Southwark. Peter Wright has been a Patron of the North and Midlands School of Music since 1999. From 1997-2002 Peter Wright held the office of Honorary Secretary of the Royal College of Organists, afterwards becoming a Vice-President and retaining his role as Chief Examiner. He held the office of President from March 2005 until June 2008.
Scott Farrell is Director of Music at Rochester Cathedral and has held positions and performed at a variety of different cathedrals. He was awarded ARCO at the age of 14. Read more
Scott Farrell was born in Dover in 1971 and was educated at Dover Grammar School for Boys. At the age of 14, Scott took up his first church appointment and, whilst still at school, was awarded the Associateship of the Royal college of Organists.
In 1989 Scott went up to Royal Holloway and Bedford New College (University of London) as organ Scholar to read music. Upon graduation, Scott pursued postgraduate studies at the Institute of Education (University of London) combining this with the post of Assistant Organist at St. Paul's, Knightsbridge.
In august 1993, Scott took up the full time post of Assistant Director of Music at St. Edmundsbury Cathedral, Suffolk, moving in January 1999 to Ely Cathedral to work alongside Paul Trepte.
Whilst at Ely, he recorded and toured widely with the Cathedral Choir and outside the Cathedral was also Musical Director of Ely Choral Society and the Ely Consort, as well as appearing regularly with the Britten Sinfonia.
In September, 2002. Scott left Ely to become Organist and Master of the Music at the Cathedral Church of St. Nicholas, Newcastle-upon-Tyne. During his time there, the Choir recorded four compact discs to critical acclaim, made a welcome return to the broadcast evensong schedule on Radio 3 and regularly performed with such artists as the Northern Sinfonia under Sir Roger Norrington and Simon Hasley. Fine Arts Brass, Julian Lloyd Webber, the legendary jazz saxophonist Peter King and the Mediaeval Baebes.
Since August, 2008, Scott has held the post of Director of Music at Rochester Cathedral, the second most ancient Cathedral foundation in the UK. Here, Scott is responsible for all the music in the Cathedral, including a significant outreach programme and the direction and training of the boy choristers. The Choir are regular broadcasters on television, Radio 3 and Classic FM and have an extensive discography, making this an especially exiting position.
As a soloist, Scott has recorded discs on the organs of St. Edmundsbury, Ely, and most recently Newcastle, with a further two discs planned. Recent solo recitals have taken Scott around the North East of England and a recital tour to Sweden, but have also included Liverpool Cathdral, Hull City Hall, St. Paul's Cathedral and Westminster Abbey.
Rev Canon Beaumont L. Brandie MBE BD AKC
Canon Brandie retires from parochial ministry early next year and hopes to be able to devote more of his time to enabling worship and an understanding of "the fun of faith" for members of the school. Read more
Educated at The Haberdashers School, he was involved in the burgeoning musical life of the school under the eccentric but brilliant Dr Eric McClellan and in the sphere of drama was part of that group of boys from the school who were the first to enter Germany on tour with their productions after the Second World War. This was on the initiative of the then Headmaster, Dr Tom Taylor, who had been a student in Heidelberg and wanted rapprochement after the Nazi era.
From there he went to King's College, London to read theology and, as did all theological students, came under the evil eye of Ernie Worrall.
Ordained in 1965, he served his title at St Augustine's, Witton on the outskirts of London where there was a large men and boys choir for which he was a determined recruiter and as the result of taking over the production of the annual Music and Mime founded the Ecumenical Witton Choral Society which is still ongoing.
As the leader of the youth club, he had a very talented group of youngsters who regularly staged cabarets for Christian Aid Week using new, translated, and standard classic sketches and musical numbers. Parish entertainments included Gilbert and Sullivan and specially adapted hymns to make social comment on the life of the parish.
From there he moved in 1971 to be Priest in Charge of St Wilfrid, Portsea where perforce he had to become choir trainer and with this group, which was particularly talented at that period, with the help of the local school, the local authority instrumental team, and the Royal Marines in Eastney, he was able to stage a production of Noye's Fludde which involved not only the choir but also the entire scouts, guides, cubs and brownies of the church with only one outside singer brought in for the part of Mrs Noye.
At the same time he again continued his work with young people and this led to various Christmas productions ranging from Oliver to Joseph and his amazing Technicolor Dreamcoat.
In 1977 he moved to Brighton to be the Team Rector of the then Resurrection Team Ministry, assisting in the training of Curates straight from college and helping Team Vicars run their own churches for the first time.
A long-serving member of the Royal Naval Reserve, he was much involved in Sussex Division's spectacular Summer Balls and, as Chaplain to his local Sea Cadets he is now the Staff Chaplain of the Corps nationally where the annual Chaplains Mess Dinner continues the Naval tradition of a "CODS opera" where his talent for musical adaptations to tell a tale still flows. He was made and MBE for services to the Sea Cadet Corps in 2007.
As a Canon of Chichester Cathedral, he served for six years on the Administrative Chapter representing the College of Canons and during that time continued to take a lively interest both in the music of the Cathedral and its education departments.
As the Chief Steward of Walsingham, he is known nationally for his stage management of huge events having organised Eucharistic worship for up to 10,000 people in Wembley Arena, Docklands and the Albert Hall.
Canon Brandie retires from parochial ministry early next year and hopes to be able to devote more of his time to enabling worship and an understanding of "the fun of faith" for members of the School.
Andrew Whelan is organist of All Saints church, New Cross, London. He studied organ under Eric Chadwick at the Royal Manchester College of Music and is also an ARCO. Read more
Andrew Whelan was born in 1945 and received his early education in Bournville. He continued his studies at the Royal Manchester College of Music, studying with Ronald Frost and Eric Chadwick. From 1968 to 1987 he taught in Manchester and York. He conducted and played for the Greater Manchester Police Choirs and Military Band and was organist at Salford Cathedral.
In 1987 he moved to London and since 2001 has been organist of All Saints Church, New Cross, and he has played with the Princess of Wales Regimental Band who are stationed in Canterbury.
Throughout his life Andrew has trained football and tennis teams and from time to time supports Millwall FC who support and provide so much to the community.
Dr Kemp English is one of New Zealand’s leading concert performers.Read more
Dr Kemp English is one of New Zealand’s leading concert performers. Much in demand as a solo organist, specialist fortepiano exponent and collaborative pianist, he relishes the opportunity to work in a diverse array of styles and periods.
Dr English enjoyed a distinguished studentship at the Royal Academy of Music in London and later completed a Master of Arts degree in Music Performance from the University of York. In 2001 he was elected an Associate of the Royal Academy of Music in recognition of his performing and teaching career.
Four years later, after more than a decade as Executant Lecturer in fortepiano, organ and harpsichord performance and Organist at the University of Otago in New Zealand, he made the decision to freelance and concentrate on his increasingly hectic performing and recording career.
He continues to tour Australasia and Europe as both a solo and collaborative performer. In 2014 he gained a PhD from the University of Adelaide.